Pick one of the twelve, or I build one from scratch. I fill it with your words and photos, and you see the first screen before you decide — $300 to start, $300 at launch.
They search your name, find a phone number and nothing else — no finished jobs, no prices, no proof you are still working. Then they call the company that had all of it on one page. That page is what I build.
finished designs, all live — open any of them
services, past work, reviews, contact
half to start, half at launch, hosting included
the site and the domain stay in your name
Each one is a complete site, not a single page. They are all live: open any of them and click around before you decide.
The demos are filled with sample companies and sample photographs, so you can see how each design behaves. Yours is filled with your own words and your own photos.
Large serif headlines, circular photo frames and a single violet accent on a quiet white page. Six pages: the work, the studio, a journal you can keep writing, an estimate that adds itself up while you fill it in, and contact. Halfway down, one section turns black — that is the part people remember.
Big photographs from the first screen, then a page for every layout with its plan and its price. Gallery, the streets around the building, the questions people actually ask, and a step-by-step application with the form at the end. Built for anything let or sold by the unit: apartments, studios, offices, storage.
Unhurried and expensive-looking, with room for the photographs to breathe. Five pages: exactly what you do and what it costs, the people who finish what they start, a before-and-after slider you drag across the photo, and a contact page that opens with a conversation instead of a form. For trades judged by the finish.
Large type on a dark background and photographs that run to the edge of the screen. Every project gets its own page — the brief, the photographs, the numbers — next to a news page and a contact page that stays out of the way. For architects, builders and anyone whose portfolio does the selling.
Bright and warm, with the reviews and the phone number on the first screen and nothing standing between them and the call. Five pages: everything you do with the price beside it, the crew, the jobs you finished, and a contact page that promises an answer today. For a small crew that wins work on trust.
Precise and technical, laid out the way an engineer would: a schedule in weeks, itemized costs, and an estimate that adds up on the page while you read it. Five pages, including a service sheet with rates and a site log of finished jobs. For contractors who sell certainty rather than inspiration.
Machines on the first screen, then everything a serious contractor gets asked for: capabilities, markets, technology, leadership, safety and a news page with a filter. Seventeen pages in all, with a careers section that has its own inquiry form. For earthmoving and sitework companies bidding against firms three times their size.
For property developers: a page for every project, each with its own galleries, floor plans and amenities. Nineteen pages in all, plus a blog, a shared gallery and a short enquiry form sitting on every project page. The photographs carry it; the type stays quiet underneath.
Full-bleed photography and 360° tours on a near-black page. A page for every kind of shoot — hotels, camping, gastro, lifestyle, cities from above — plus a wall of client logos, a video page and an augmented-reality page. The whole site exists twice, in English and in German.
Warm greens, soft serif headlines and room photography, the way an interior studio wants to be seen. Eight pages: the services one by one, furniture packages, a portfolio, an FAQ, and a booking page where the client picks the time. Nothing on it shouts, which is exactly the point.
One long page carried by real 3D: covers that turn as you scroll, type that reacts to the cursor, and a client strip that never stops moving. Sections for brands, for marketing and for the studio itself, with a contact form at the end. For a studio that has to look more expensive than its invoice.
Quiet editorial type over photographs that slide as you scroll: rooms, cafe and bar, gallery, and how to find the place. Sixteen pages, in English and Japanese, with a reservation button that follows the guest the whole way down. For hotels, guest houses and restaurants that sell the feeling of the place.
Nobody buys something they have not seen. The first screen comes first, then half the price to start and half when the site goes live.
Or tell me none of them fit, and I design one for you instead.
Jobs you are proud of, what you do, where you work, how people reach you. I write the first version of the text from that.
Usually inside a week, under your own domain. Two rounds of changes are in the price, and the second half is due when it goes live.
The design you choose filled with your photos and services, up to six pages, a mobile version, a contact form and tap-to-call, your domain set up in your name, and the first year of hosting. No monthly fee — after the first year hosting stays in your name and costs a few dollars a month, paid to the host, not to me.
No. $600 once, and that is the whole price — $300 to start and $300 when the site goes live. The first year of hosting is inside it. After that year the hosting stays in your name and costs a few dollars a month, paid to the host — not to me.
You see the first screen before anything is agreed. I build it from your own photos and send it over. If it is wrong, tell me what is wrong and I change it; if it is still not right, we stop there. When you say yes, $300 starts the build and the last $300 is due at launch.
You do. The domain is registered in your name, the site is yours, and you can hand it to anyone else at any time. Nothing is rented from me and there is nothing to cancel.
Six to ten photos of finished jobs, a list of what you do, the area you cover, a phone number and your hours. Photos from your phone are fine. I write the first version of the text from that, and you correct anything that does not sound like you.
A few days for the preview, and usually under a week from the photos to a working site under your own domain. The slow part is waiting for photos, not the building.
I will build the first screen of your site from them and send it back. The first screen is on me — if it is not right, we stop there. Tell me what you do and where you work; a few photos of a finished job are enough to start.
Ardera Studio is one person — Artem Bondarenko. You deal with me directly, from the first message to the last change.
